2016/10/30
2016/10/26
做個重新上路的設計師
"有人辭官歸故里,有人漏夜趕科場!"我諗,我正處於呢個狀態。
可能好多人都會有同感,尤其係做設計嘅人:做到想轉行,但係又唔知轉邊行好?始終一個做到上哂手,累積咗大量經驗,人脈及相當收入嘅工作係好難放棄嘅。不過時移世逆,越嚟越多嘅工種因着科技及需求而改變。
零售租約愈縮愈短, 流動辦公室嘅工作模式, 住屋空間愈嚟愈細, 師傅人工愈加愈貴...... 等等,仲有各式各樣嘅原因都令我覺得係時候準備辭官歸故里。
所以係另一邊廂,就想試吓可唔可以趕入設計布藝這個"科場"?!
其實早係十年前已經嘗試係Spoonflower設計布欵(因為成日揾唔到一D啱心水嘅布欵俾客人用),但係一方面當時佢哋 啱啱成立冇幾耐,支援好少; 而我哋又忙緊正職,所以只係隨意設計咗十幾欵就擺低, 估唔到呢粒種子到今時今日又可以重生。
十年人事幾翻新, Spoonflower 今時今日已經發展到好大,唔少平面/布藝設計師已經係常客,而我,就係一個初哥!雖然因為從事室內設計會對布料及製作軟件有一定認識, 但係今次當我認真對待嘅時候,就發覺要設計一D市場受落又唔太"行"嘅布藝,係當中大有學問……所以, 呢個就係我要重新投入同學習嘅一個教室。
雖然要投放嘅時間,資源同心機肯定唔少, 但係身為設計行業嘅人,唔多唔少都會有份勇氣去嘗試同發掘新可能性嘅心態;期望有一日可以擁有一個CocoaDesignLife 品牌嘅"可可布館",設計出一D較有個性嘅室內布藝。或許,呢個都係另一個職場上嘅延伸都未定?
短短半年嘅時間,令我對網上銷售有多D了解; 重新再強化自己嘅攝影技巧,平面設計,混合媒體及至Photoshop 嘅運用係必需嘅。所以話世界上永遠冇學得完嘅事物,亦唔可能會悶,只要你肯向前行出一步,奇妙旅程又再度展開!
可能好多人都會有同感,尤其係做設計嘅人:做到想轉行,但係又唔知轉邊行好?始終一個做到上哂手,累積咗大量經驗,人脈及相當收入嘅工作係好難放棄嘅。不過時移世逆,越嚟越多嘅工種因着科技及需求而改變。
零售租約愈縮愈短, 流動辦公室嘅工作模式, 住屋空間愈嚟愈細, 師傅人工愈加愈貴...... 等等,仲有各式各樣嘅原因都令我覺得係時候準備辭官歸故里。
所以係另一邊廂,就想試吓可唔可以趕入設計布藝這個"科場"?!
其實早係十年前已經嘗試係Spoonflower設計布欵(因為成日揾唔到一D啱心水嘅布欵俾客人用),但係一方面當時佢哋 啱啱成立冇幾耐,支援好少; 而我哋又忙緊正職,所以只係隨意設計咗十幾欵就擺低, 估唔到呢粒種子到今時今日又可以重生。
十年人事幾翻新, Spoonflower 今時今日已經發展到好大,唔少平面/布藝設計師已經係常客,而我,就係一個初哥!雖然因為從事室內設計會對布料及製作軟件有一定認識, 但係今次當我認真對待嘅時候,就發覺要設計一D市場受落又唔太"行"嘅布藝,係當中大有學問……所以, 呢個就係我要重新投入同學習嘅一個教室。
雖然要投放嘅時間,資源同心機肯定唔少, 但係身為設計行業嘅人,唔多唔少都會有份勇氣去嘗試同發掘新可能性嘅心態;期望有一日可以擁有一個CocoaDesignLife 品牌嘅"可可布館",設計出一D較有個性嘅室內布藝。或許,呢個都係另一個職場上嘅延伸都未定?
短短半年嘅時間,令我對網上銷售有多D了解; 重新再強化自己嘅攝影技巧,平面設計,混合媒體及至Photoshop 嘅運用係必需嘅。所以話世界上永遠冇學得完嘅事物,亦唔可能會悶,只要你肯向前行出一步,奇妙旅程又再度展開!
可可布館 |
2016/10/13
Reuse
What do you think an interior designer got most? Money? Client? Software? Paper? ........ Material Samples !!!
Even thought we are now using images and photos to present sample board to our clients, but actual material still plays an important role because we need to feel the real texture + to see the true color.
So...what it comes to the end, we stock tons and tons of fabric, plastic laminate, tile and mosaic, metal, timber, glass, etc.
Well, of course it can be simply throw to the rubbish bin afterward, but if you love Interior Design, you love them especially the high quality fabric in full colorway.
(Yes, user manual is also one of my "stock item" because I love to read with the real paper touch)
"A double face" pocket that can protect my almost dead manual, two pieces of fabric are just enough to sew one, simple and unique.
Add a bit of detail inside
to secure the booklet.
Voila! Reuse project done :)
How about you?
Got some ideas to reuse yours?
Even thought we are now using images and photos to present sample board to our clients, but actual material still plays an important role because we need to feel the real texture + to see the true color.
So...what it comes to the end, we stock tons and tons of fabric, plastic laminate, tile and mosaic, metal, timber, glass, etc.
Well, of course it can be simply throw to the rubbish bin afterward, but if you love Interior Design, you love them especially the high quality fabric in full colorway.
A new cover to my manual !
(Yes, user manual is also one of my "stock item" because I love to read with the real paper touch)
"A double face" pocket that can protect my almost dead manual, two pieces of fabric are just enough to sew one, simple and unique.
Add a bit of detail inside
to secure the booklet.
Voila! Reuse project done :)
How about you?
Got some ideas to reuse yours?
2016/10/06
向左走。向右走 vs You've Got Mail
最近番看了由 Tom Hanks 及 Meg Ryan 於很多年前主演的
You've Got Mail 。
電影開場時是描寫兩人各自由家中預備,步出家門,買咖啡,再朝着目的地,預備開始一天工作的情景;由於用了左右分鏡去表達二人同步的畫面,令我即時想起幾米的"向左走,向右走"。
如果你有看過他的插畫作品"月亮忘記了",也必定不會錯過這個故事, 是同樣出色的繪本。故事道出一對居住在隔鄰的單身男女,由於每天早上,一個必定朝左邊出發,另一個則朝右邊, 因此總是碰不見而沒法互相認識......直至一天,基於地球是圓的道理,他們終於遇見。美麗的偶遇,期待着下一個約定,卻因為雨水洗掉了手上由對方留下的電話號碼而落空......
同是都市愛情故事,幾米藉著簡單優美的畫作,純樸地演繹。而 You've Got Mail 則利用網絡空間的相遇,使原本在事業上對頭而且屬於兩個世界的人連結在一起的這個意念,藉着電影浪漫地上演。
兩個故事最終大圑圓, 安慰了不少在煩囂鬧市中寂寞的心靈. 雖然兩者的演繹方法各不同,但看後卻得着相同的訊息和觀感。我想......
這就是視覺媒體的共同語言和威力。
兩個故事最終大圑圓, 安慰了不少在煩囂鬧市中寂寞的心靈. 雖然兩者的演繹方法各不同,但看後卻得着相同的訊息和觀感。我想......
這就是視覺媒體的共同語言和威力。
如果把這兩個標題套用在朋友關係之上, 將會變成一套怎樣的電影和一本如何的繒本呢?
2016/09/26
I love "Classic" !
Well, you may already know that we have an espresso machine, that was bought 5 years ago. For people using it daily, sometimes twice or up to xxx times a day meaning, it is quite heavy loaded.
Basically, daily cleaning and occasional back flush should be good enough, plus a yearly descaling process will be perfect, too.
One day, it stopped working, totally - no more coffee comes out from the blew head = clog as assumed ?! Even though I went through all basic cleaning and checking procedure, it refused to work again. You may think sending back to the manufacturer will be the only solution......
......the magic happens to Gaggia Classic because it is a mechanical machine, i.e. no chips or complicated computerize parts and therefore, we can try to repair ourselves. But, how to start??? This is what I've found from the Internet
reedsmeals.blogspot.hk
A detail step by step guide to teach you how to open the machine, what to check and what to clean. So, I tried by ready all tools + the print out guide and began with the "operation".
It took me 4 hours to complete the task and make sure no clogging inside the solenoid (detail please refer to the above link as the picture are much more clear), then re-assembling everything together, started the de-scaler process, that took another 2 hours......
I have to say the "Overhaul of Gaggia Classic Espresso Machine" blog post is gorgeous, but, still not working. It's a frustrated before a clue that suddenly woke me up : the group gasket was deteriorated, Yes! it was as hard as a metal after four years working. So... a replacement makes everything alive !
If there is not a good blog post to guide me, I can never using deduction method to reduce the affecting issues; and if this is not a true CLASSIC,
I can never try to repair it on my own.
Thank you Christopher Reed and Gaggia !
2016/09/20
Making Pictures in the Rain
shelter |
Making Pictures in the Rain a lot more fun :)
I am not a professional photographer thus can only shoot when not in work, plus "a Sunny Day"......which I thought it should be, at least to be easier to deal with the light source; in addition, I don't have any waterproof accessory for my camera, so it may be a disaster if it get wet.
May 2015 was so humid and kept rainy all days, even though I was free, I could only stuck inside house. By chance, I read the above article and fascinating to the photos inside, I wondered, might be I should try one day...so I charged and packed my stuff, I told myself no matter what the weather tomorrow would be, I was ready to go!!
Ha Ha! God gave me a big challenge! It was Black Rain Signal when I saw the notice at MTR station, what I've got was an umbrella and a towel with my camera, then I thought, why not, just go......
To capture the special color tone and mood, interesting passengers' behaviour, or try using the "vivid" mode to brighter your target...these are wonderful experience that difference from taking pictures in sunny weather.
Forgettable places express their emotion strongly in the rain, color appears more attractive when dust are clear from the dead air; a soft melody presented by rain drops act as your companion, the street is more remote for you to make use of every corner to set your camera, no one will bother you as they are sheltered inside store ......
A truly tranquil and enjoyable moment that I would like to experience more in this year ! Hope you get your moment, too !
no holiday 02 |
2016/09/19
做個氣定神閒的設計師
話説最近呢幾年有幸參予一D成人興趣班嘅教學. 有同學覺得我(好似)好斯文, 奇怪我點同師傅溝通仲可以支持佢哋D "問候語"?
首先要澄清唔係個個師傅都咁"粗皮"嘅, 尤其而家, 好多都好斯文有禮. 我同同學講, 如果想係裝修期間大家做得開心, 令工程順利完成, 有三個人好重要:-
一個將心比己, 明白事理 嘅顧客
一個有專業操守, 氣定神閒 嘅設計師
一個細心老實, 尊重自己行業嘅師傅
當然, 時間/ 金錢/ 各方面嘅能力就不在話下喇. 始終一個住宅裝修工程由設計到完成分分鐘搞成五六個月; 除咗要兼顧大小事項之外, 突然期來嘅問題都唔少. 基本上顧客同師傅都承受一定壓力.
所以, 如果身為設計師嘅我哋唔能夠凌駕壓力, 毎次落地盤都令氣氛變得過份緊張, 搞到D師傅好似樣樣都做得唔好咁, 係"委屈"或"不被尊重/信任"嘅感覺下面, 好難令整件事美滿咁完工.
而我認為氣定神閒 嘅設計師擔當好重要嘅角色, 因為我哋係顧客同師傅嘅橋樑. 經驗話我知如果我哋可以心平氣和, 恰如其份咁處理整個工程運作, 好多時D問題都係可以解決到嘅.
雖然要集齊以上三個人辧, 有時都要靠彩數, 咁我就祝願大家好運啦!
首先要澄清唔係個個師傅都咁"粗皮"嘅, 尤其而家, 好多都好斯文有禮. 我同同學講, 如果想係裝修期間大家做得開心, 令工程順利完成, 有三個人好重要:-
一個將心比己, 明白事理 嘅顧客
一個有專業操守, 氣定神閒 嘅設計師
一個細心老實, 尊重自己行業嘅師傅
當然, 時間/ 金錢/ 各方面嘅能力就不在話下喇. 始終一個住宅裝修工程由設計到完成分分鐘搞成五六個月; 除咗要兼顧大小事項之外, 突然期來嘅問題都唔少. 基本上顧客同師傅都承受一定壓力.
所以, 如果身為設計師嘅我哋唔能夠凌駕壓力, 毎次落地盤都令氣氛變得過份緊張, 搞到D師傅好似樣樣都做得唔好咁, 係"委屈"或"不被尊重/信任"嘅感覺下面, 好難令整件事美滿咁完工.
而我認為氣定神閒 嘅設計師擔當好重要嘅角色, 因為我哋係顧客同師傅嘅橋樑. 經驗話我知如果我哋可以心平氣和, 恰如其份咁處理整個工程運作, 好多時D問題都係可以解決到嘅.
雖然要集齊以上三個人辧, 有時都要靠彩數, 咁我就祝願大家好運啦!